Posts Tagged ‘Documentary’

Famous Landmark Documentary On Racism In A United States Neighborhood / Video Film

Saturday, November 6th, 2010

The Black middle-class Myers family moves into all-white Levittown, PA in August, 1957, and are snubbed and mistreated, in this powerful landmark documentary showcasing racism in the United States. This movie is part of the collection and courtesy of the Academic Film Archive of North America from www.archive.org; Producer: Lee Bobker/Lester Becker. Racism, by its simplest definition, is discrimination based on the racial groups to which people belong. People with racist beliefs might hate certain groups of people according to their racial groups. In the case of institutional racism, certain racial groups may be denied rights or benefits, or get preferential treatment. Racism typically points out taxonomic differences between different groups of people, even though anybody can be racialised, independently of their somatic differences. According to the United Nations conventions, there is no distinction between the term racial discrimination and ethnic discrimination. While the term racism usually denotes race-based prejudice, violence, discrimination, or oppression, the term can also have varying and hotly contested definitions. Racialism is a related term, sometimes intended to avoid these negative meanings. According to the Oxford English Dictionary, racism is a belief or ideology that all members of each racial group possess characteristics or abilities specific to that race, especially to distinguish it as being either superior or inferior to another racial group or

391 San Antonio – A Semiconductor Documentary

Saturday, September 25th, 2010

Silicon Valley is known worldwide as the global center of high tech innovation. In large part, the spark that ignited Silicon Valley’s explosive growth can be traced back to a 50 year-old dispute that occurred in the building at 391 San Antonio Road, Mountain View, California. In the 1950s William Shockley was considered a “God” in the electronics world. He led the Bell Labs team that invented the transistor in 1948. With funding from Arnold Beckman — a wealthy scientist-businessman — Shockley established the Shockley Semiconductor Laboratory in 1955. Shockley went against Beckman’s recommendation to set up in southern California, near Beckman’s own company, and established the lab in a former Quonset hut at 391 San Antonio. Shockley’s disruptive management style eventually forced eight of his young scientists to approach Arnold Beckman directly in an attempt to remove Shockley from day-to-day management. When their bid fails, the group feels they have burned their bridges and must find alternative employment. Through an East Coast banker, the scientists are introduced to Sherman Fairchild, a New York industrialist. He is intrigued by the potential of silicon transistors and agrees to support the group with an investment of $1.3 million to start a new company called Fairchild Semiconductor. In Silicon Valley lore, the dissenting scientists became known as the Traitorous Eight – some of whom went on to bigger and better things. Bob Noyce and Gordon Moore founded Intel in

Documentary on Yuri Norstein from Magia Russica : 2

Monday, April 26th, 2010

Yuriy Norshteyn was born in the village of Andreyevka, Penza Oblast, during his parents’ World War II evacuation. He grew up in the Maryina Roshcha suburb of Moscow. After studying at an art school, Norshteyn initially found work at a furniture factory. Then he finished a two-year animation course and found employment at studio Soyuzmultfilm in 1961. The first film that he participated in as an animator was Who Said “Meow”? (1962). After working as an animation artist in some fifty films, Norshteyn got the chance to direct his own. In 1968 he debuted with 25th October, the First Day, sharing directorial credit with Arkadiy Tyurin. The film used the artwork of 1920s-era Soviet artists Altman and Petrov-Vodkin. The next film in which he had a major role was The Battle of Kerzhenets (1971), a co-production with Russian animation director Ivan Ivanov-Vano under whose direction Norshteyn had earlier worked on 1969’s Times of the Year. Throughout the 1970s Norshteyn continued to work as an animator in many films (a more complete list can be found at IMDB), and also directed several. As the decade progressed his animation style became ever more sophisticated, looking less like flat cut-outs and more like smoothly-moving paintings or sophisticated pencil sketches. Norshteyn uses a special technique in his animation, involving multiple glass planes to give his animation a three-dimensional look. The camera is placed at the top looking down on a series of glass planes about a meter


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